Rouge (cosmetics)

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A rouge compact containing a mirror and brush




A dancer wearing rouge




Shale rouge palette of the Naqada I culture, c. 4000–3500 BCE


Rouge (/ˈrʒ/; French: red), also called blush or blusher, is a cosmetic typically used to redden the cheeks so as to provide a more youthful appearance, and to emphasize the cheekbones.




Contents





  • 1 History


  • 2 Contemporary


  • 3 References


  • 4 External links




History


Rouge was used as early as in ancient Egypt. It was also applied on the lips, the way lipstick would be used today. In some times and places, such as the English Regency, both men and women wore rouge. In Britain in the late Victorian Age, wearing visible makeup such as rouge was associated with low morals.[1] One could also resort to pinching their cheeks (and biting their lips) to make them appear red.[citation needed]


Various substances have been used as rouge. In ancient Greece for example, crushed mulberries were favoured, while red beet juice, crushed strawberries and red amaranth[2] have also variously been used.



Contemporary


Modern rouge generally consists of a red-coloured talcum-based powder that is applied with a brush to the cheek. The colouring is usually either the substance of safflor (the petals of safflower), or a solution of carmine in ammonium hydroxide and rosewater perfumed with rose oil. A cream-based variant of rouge is schnouda, a colourless mixture of Alloxan with cold cream, which also colours the skin red.



References




  1. ^ Schweitzer, Marlis (July 2005). ""The Mad Search for Beauty": Actresses' Testimonials, the Cosmetics Industry, and the "Democratization of Beauty"". The Journal of the Gilded Age and Progressive Era. 4 (3): 255–292. JSTOR 25144403. 


  2. ^ By the Zuni people, according to Matilda Coxe Stevenson, Ethnobotany of the Zuni Indians. SI-BAE Annual Report #30 (1915), p. 83




External links




  • Modes In Makeup, a brief history of cosmetics

  • The History of Makeup


  • The Pervasion of Rouge (also known as A Defence of Cosmetics), by Max Beerbohm





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